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The Argentinian touch of Barcelona

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If you have visited, lived, or loved the city of Barcelona in the last 30 years, you surely know Mario Eskenazi… or at least by sight 😉

Mario Eskenazi is a designer who has designed a generous amount of the graphic identity of the city, images that you see everyday when you walk around Barcelona.
*Forum and CCIB Buildings Signalization, archs. Herzog & deMeuron, Josep Lluis Mateo/MAP, 2004

Eskenazi born in Buenos Aires (Argentina) is an Architect by formation, he was part of the design team for the TV station Canal 10 TV (Argentina). In 1971 moves to Spain, where he has been teacher at the School of Architecture of Las Palmas de Gran Canaria (1973-1974) and from 1975 until 1999 gave design classes at the EINA.
*Visual, Blur Editions, Corporate Image, 2005-2006

Mario likes to say that he will never retire and that he prefers to work with friends than big corporate clients. But to be honest his fidelity to some brands falls into the anthological; is the case of his works for Paidos editorial, Tragaluz Group the Sabadell Bank or Evax with whom he has been collaborating for couple of decades.
*Visual Identity of “El Japones” restaurant for Grupo Tragaluz, 2001

Eskenazi arrived to Barcelona by casualty, more than 30 years ago when he finished his architecture studies in Cordoba (Argentina), started to work in the University TV station, then the military governments arrived and he had to choose: move to Buenos Aires or to Europe. While he admired the european art and creativity he also hated “porteños” (people from Buenos Aires), so he has “no other chance” than move to London (city that he declares himself a big fan).
*Visual Identity of “Cuinas de Santa Caterina” restaurant for Grupo Tragaluz, 2006

But before arriving to London he stopped in Madrid, and the money he carried with him didn’t lasted long there, then he took a job in the Architecture studio of Juan Manuel Ruiz de la Prada (Canary Islands), where they were looking for a “south american architect”; after 2 years he wanted to get back in track on his way to London, visiting previously Paris and Milano but he never felt comfortable in any of this cities, ad then in a visit to Barcelona, he got a job at the studio of America Sanchez.
*Collections Design for Paidos Editorial, 2000 – 2006

After some time he started working in marketing agencies but was the work he did for Banca Catalana that allowed him to get other clients and setup his own studio in 1979. He says the secret of this “marriages” is to always try to work with people he gets along previously, and not the other way around: “…This is the only way to have the freedom and trust that we like from the clients…”
*Packaging for EVAX, 2004 – 2006

Despite he never had the intention of living in Barcelona, he has been there for more than 3 decades now. As he says “an obvious proof of love”. As he mentions, the city allows him a quality of life he could hardly get somewhere else, “…like going to the beach at least a bit every day!…” Thats because of the Mediterranean lifestyle that also influence the profession in Barcelona, and allows to create those personal bonds with the clientele and at the same time earn a decent living.
*Visual Identity, OMM Hotel for Grupo Tragaluz, 2003 – 2006

Among his various prizes, we can mention: LAUS (ADG FAD, Barcelona), Awards of Excellence (CA Magazine, San Francisco), Merits Award (A.D.C., New York), Merits Awards (D&AD, Londres), The Spanish National Design Prize 2000 (Ministerio de Ciencia y Tecnología and the Fundación BCD).
*Visual Identity, Serveis de Manteniment y Neteja, Government of Barcelona City 2000

Works: He had designed for editorial Paidos (1979-2007), Corporate Identities for the Group of Bank Sabadell (1997-2008), Tragaluz Group(1999-2008), and the Identity of the Maintenance and Public Cleaning Services of Barcelona “BCNeta!” (2000, Ajuntament de Barcelona), In colaboration with Diego Feijoo designed the Identity for the Cultural Center Blanquerna (2005, Generalitat de Catalunya), also the Identity of GISA(2005, Generalitat de Catalunya), the Identity of DDI (2005, State Society for the development of Design and Inovation, Ministerio de Industria y Comercio), Coprorate Identity for SEACEX (2006, State Society for the External Cultural Action, Ministerio de Relaciones Exteriores) ; and in a collaboration with Summa, the Identity for the chain of restaurants Pans & Company (1991), The Identity of the Port Vell (1993), and Identity and design of the mobile squad of the Mossos d’Esquadra / Catalan Police (1992, Generalitat de Catalunya) And the program for the Identity of the Cultural Department of the Catalunya Goverment (1992).

Mario is member of the AGI (International Graphic Aliance) since 1997.
*Parking in Guadalajara Mexico, 2004

for more visit Mario Eskenazi website


  1. Romana

    great work! i didn't know before, but on my first trip to Barcelona, i went to El Japones and i loved it. and 2 years or so ago i went to Santa Caterina and is still one of my fav places in BCN.

  2. Seymour Jones

    I love his work, particularly the work he did for Hotel Omm. Not only did he do their entire CI, but he also has some work in the restaurant in the form of under plate art, alongside Frederic Amat and Antonio Miró.

    Check out the Hotel Omm at http://www.whitelinehotels.com/your-hotels/hotel-omm

    Cheers, Seymour

  3. Romana

    Thank you Seymour, i saw the photo gallery of Hotel Omm, and it looks impressive. i love attention to details, not only architecture and design, but personel uniforms as well and many other details, which makes the whole story full.
    Omm will be one of our must-stops on our winter trip in Europe. Saludos!

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